These artworks were often purchased from local artists and artisans, and they were considered to be an important part of a traveller's cultural education.Īs well, the Grand Tour was an opportunity to study the art, architecture, and history of ancient civilizations, and many travellers purchased antiquities and other artifacts during their travels. Paintings, sculptures, and other works of art that were encountered by the travellers on their travels were common souvenirs. It was common for travellers who went on the tour bring back a variety of souvenirs to commemorate their It was also seen as a way to refine one's tastes and to develop a more sophisticated appreciation of the arts and culture. The Grand Tour was considered an essential part of a young man's education, as it provided exposure to a wide range of cultural, artistic, and historical influences that were not available in their home country. During this time, the travelers would visit museums, galleries, and other cultural institutions, and they would also participate in local customs and traditions, such as attending concerts and operas. The Grand Tour typically involved visiting a number of European cities, including Paris, Venice, Florence, Rome, and Athens, and it often lasted for several months or even years. The Grand Tour was a rite of passage for many young men of the British and European aristocracy and upper classes, who would travel to various parts of Europe to broaden their education, refine their cultural tastes, and experience new cultures and customs. Size of Book housing casts: 9 1/2'' x 6'' and 1 3/4'' thick.The Grand Tour of Europe was a cultural tradition that was popular among wealthy young men in the 19th century. He was succeeded by his son, Pietro Paoletti (1801-1847) who continued the workshop till his death. Mounted in boxes or faux book bindings, these plaster impressions provided a minutely detailed cabinet of neoclassical and Renaissance knowledge and art.īartoleomeo Paoletti (1758-1834) was the most successful and well-known of the Roman purveyors of intaglio casts. Taste for these engraved antique gems was revived as part of the classical revival and reproduced as plaster casts. In addition to albums of engraved views, the Grand Tour offered another very popular type of travel souvenir: casts of engraved gems and cameos. Their prime interest was to visit cities considered major centers of culture Paris, Rome, Venice, Florence and Naples were popular destinations.ĭuring the 18th & 19th century, as the opportunity to take the “Grand Tour” spread from the aristocracy to the new industrial & professional elites, tourist destinations such as Rome shifted their attention from the privileged class to meeting the travel needs of the moneyed middle-class, including a healthy souvenir trade. The Grand Tour was the traditional trip around Europe, often lasting three to four years, undertaken by the wealthy upper-class English starting during the 16th and 17th century. The “book” spine is gilt stamped with “PAOLETTI” and “MUSEO VATICANO”. The 43 intaglios are surrounded by original gilt paper collars and are in the “book” box with two compartments and lids with manuscript descriptions that originally held 49 casts. This group of 43 casts is from the Paoletti “Museo Vaticano” series - casts from original seals of Antiquity and the Renaissance residing in the treasures of the Vatican Museum. Late 18 th century plaster intaglios – reference objects and souvenirs of the Grand Tour. Made in Rome by Bartolomeo Paoletti (1758-1834), at his Studio in Piazza di Spagna N.49 ~ “MUSEO VATICANO” – GRAND TOUR SOUVENIRS – c. PAOLETTI COLLECTION – FORTY THREE INTAGLIO CASTS
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